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Letter from Vincent van Gogh to His Parents
Brussels, 16 February 1881

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Dear Father and Mother,

I received your letter, which made me very happy, as I was already looking forward to it, especially because of Father's illness. I was glad to hear that there is some improvement.

I am getting on pretty well with my work, though it is still far from perfect, and must become much better still.

In the studio of that painter I found a very good reproduction of a skeleton. As those things are rather difficult to get, I asked him if he would lend it to me for a few days to copy. At first he raised some objection, probably because he thought I could not do it or that it would take me too long, but I insisted on having it, and he consented. That happened last Sunday afternoon, and as soon as I came home I began it; it was finished Monday night, and to his surprise I brought it back to him on Tuesday morning. He thought my drawing good, and indeed, it is not so bad after all. I shall profit more from his instruction if only he has time to spare. On some points, especially perspective, he is very well informed, and I at least can learn a great deal from him.

Now I must tell you another thing that I have done.

Do not worry about these expenses, however, and do not accuse me of extravagance, for really the contrary is rather my fault of character, and if I could spend more, I should get on quicker and make more progress. If you can send me something extra this month without depriving yourselves, I hope you will. But if you cannot, there is no immediate hurry. I told my landlord that I should be rather hard up this month, and he agreed that I could pay at my convenience because he now knows me well enough not to demand my paying in advance, at least not for a full month.

I bought that suit for a reason other than wearing it myself as long as possible: when I can wear it no longer, it will serve me in another way. For you should know that eventually I must have a small collection of workmen's clothes in which to dress the models for my drawings. For instance, a Brabant blue smock, the grey linen suit that the miners wear and their leather hat, then a straw hat and wooden shoes, a fisherman's outfit of yellow oilskin and a sou'wester. And certainly also that suit of black or brown corduroy which is very picturesque and characteristic - and then a red flannel shirt or undervest. And also a few women's dresses, for instance, that of De Kempen [region in Brabant] and from the neighbourhood of Antwerp, along with the Brabant bonnet and, for instance, that of Blankenberg, or Scheveningen or Katwijk.

I certainly do not intend to buy all this at once, but to collect it gradually piece by piece, when I have a chance. And as those clothes can be bought second-hand, they are not at all difficult to get. I shall only be able to manage this well when I have some kind of studio of my own.

Drawing the model with the necessary costumes is the only true way to succeed. Only if I study drawing thus seriously and thoroughly, always trying to portray truly what I see, shall I arrive; and then, notwithstanding the inevitable expenses, I shall make a living by it. For a good draughtsman can certainly find work nowadays: such persons are in great demand, and there are positions that are very well paid. So the thing is to try and become as skilled as possible. In Paris many a draughtsman earns from 10 to 15 francs a day, and in London and elsewhere the same and even more; but one does not reach this at once, and I am not so far advanced as yet. But I may become so if I have some good luck and can renew relations with persons like Mr. Tersteeg and Theo and others, especially with good painters and draughtsmen. But I must work and study very hard, that is the condition.

You will not be surprised when I tell you that I am eager to hear what Theo's proposition might be, or to hear something from Mr. Tersteeg. For one way or the other, before the month of March I must know what I can expect and how and where I shall be able to work during the spring and summer.

And if I should gradually succeed in earning something, that would not be unpleasant at all, though the principal thing is that I make progress and that my drawing becomes stronger - then everything will come right sooner or later. Models are expensive, at least relatively expensive, and if I had money enough to have them often, I should be able to work much better. But then a studio becomes indispensable. And people like Mr. Tersteeg, Theo, and others know that quite well. Well, I must wait until they write me what they think, and meanwhile do what I can.

I made another drawing of miners in the snow which is somewhat better than last winter's - there is more character and effect in it. I am also collecting wood engravings again, like those albums that Theo and Willemien once had. For if I can more or less complete the collection, they will be of use to me, as it is quite possible that I shall work from wood engravings sometime.

I must tell you that those clothes I bought are well cut and look better on me than any others that I can remember. I tell you this because you might think they were something unusual or showy; this material is often worn in studios especially.

And now I finish, with greetings to all, and my best wishes for A.'s birthday, and believe me,

Your loving Vincent

The painter who gives me lessons now is making a very good picture of a Blankenberg fisherman.


At this time, Vincent was 27 year old
Source:
Vincent van Gogh. Letter to His Parents. Written 16 February 1881 in Brussels. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 141.
URL: https://www.webexhibits.org/vangogh/letter/9/141.htm.

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