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Dear Father and Mother,
I received your letter, which made me very happy, as I was
already looking forward to it, especially because of Father's
illness. I was glad to hear that there is some improvement.
I am getting on pretty well with my work, though it is still
far from perfect, and must become much better still.
In the studio of that painter I found a very good
reproduction of a skeleton. As those things are rather
difficult to get, I asked him if he would lend it to me for a
few days to copy. At first he raised some objection, probably
because he thought I could not do it or that it would take me
too long, but I insisted on having it, and he consented. That
happened last Sunday afternoon, and as soon as I came home I
began it; it was finished Monday night, and to his surprise I
brought it back to him on Tuesday morning. He thought my
drawing good, and indeed, it is not so bad after all. I shall
profit more from his instruction if only he has time to spare.
On some points, especially perspective, he is very well
informed, and I at least can learn a great deal from him.
Now I must tell you another thing that I have done.
Do not worry about these expenses, however, and do not
accuse me of extravagance, for really the contrary is rather my
fault of character, and if I could spend more, I should get on
quicker and make more progress. If you can send me something
extra this month without depriving yourselves, I hope you will.
But if you cannot, there is no immediate hurry. I told my
landlord that I should be rather hard up this month, and he
agreed that I could pay at my convenience because he now knows
me well enough not to demand my paying in advance, at least not
for a full month.
I bought that suit for a reason other than wearing it myself
as long as possible: when I can wear it no longer, it will
serve me in another way. For you should know that eventually I
must have a small collection of workmen's clothes in which to
dress the models for my drawings. For instance, a Brabant blue
smock, the grey linen suit that the miners wear and their
leather hat, then a straw hat and wooden shoes, a fisherman's
outfit of yellow oilskin and a sou'wester. And certainly also
that suit of black or brown corduroy which is very picturesque
and characteristic - and then a red flannel shirt or undervest.
And also a few women's dresses, for instance, that of De Kempen
[region in Brabant] and from the neighbourhood of Antwerp,
along with the Brabant bonnet and, for instance, that of
Blankenberg, or Scheveningen or Katwijk.
I certainly do not intend to buy all this at once, but to
collect it gradually piece by piece, when I have a chance. And
as those clothes can be bought second-hand, they are not at all
difficult to get. I shall only be able to manage this well when
I have some kind of studio of my own.
Drawing the model with the necessary costumes is the only
true way to succeed. Only if I study drawing thus seriously and
thoroughly, always trying to portray truly what I see, shall I
arrive; and then, notwithstanding the inevitable expenses, I
shall make a living by it. For a good draughtsman can certainly
find work nowadays: such persons are in great demand, and there
are positions that are very well paid. So the thing is to try
and become as skilled as possible. In Paris many a draughtsman
earns from 10 to 15 francs a day, and in London and elsewhere
the same and even more; but one does not reach this at once,
and I am not so far advanced as yet. But I may become so if I
have some good luck and can renew relations with persons like
Mr. Tersteeg and Theo and others, especially with good painters
and draughtsmen. But I must work and study very hard, that is
the condition.
You will not be surprised when I tell you that I am eager to
hear what Theo's proposition might be, or to hear something
from Mr. Tersteeg. For one way or the other, before the month
of March I must know what I can expect and how and where I
shall be able to work during the spring and summer.
And if I should gradually succeed in earning something, that
would not be unpleasant at all, though the principal thing is
that I make progress and that my drawing becomes stronger -
then everything will come right sooner or later. Models are
expensive, at least relatively expensive, and if I had money
enough to have them often, I should be able to work much
better. But then a studio becomes indispensable. And people
like Mr. Tersteeg, Theo, and others know that quite well. Well,
I must wait until they write me what they think, and meanwhile
do what I can.
I made another drawing of miners in the snow which is
somewhat better than last winter's - there is more character
and effect in it. I am also collecting wood engravings again,
like those albums that Theo and Willemien once had. For if I
can more or less complete the collection, they will be of use
to me, as it is quite possible that I shall work from wood
engravings sometime.
I must tell you that those clothes I bought are well cut and
look better on me than any others that I can remember. I tell
you this because you might think they were something unusual or
showy; this material is often worn in studios especially.
And now I finish, with greetings to all, and my best wishes
for A.'s birthday, and believe me,
Your loving Vincent
The painter who gives me lessons now is making a very good
picture of a Blankenberg fisherman.
At this time, Vincent was 27 year oldSource: Vincent van Gogh. Letter to His Parents. Written 16 February 1881 in Brussels. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 141. URL: https://www.webexhibits.org/vangogh/letter/9/141.htm.
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