Dear Theo,
It was very pleasant to have you here again, and to have
long talks together about everything. I always regret that we
cannot be together much more. Not that I think talking in
itself so valuable, but I mean that I wish we knew each other
much better and more intimately than we do now. That thought
occurred to me especially when coming back from Roozendaal
after seeing you off at the station; also with regard to some
things we said that last moment at the station.
I am glad to see in the letter I got today that you hope to
come back before very long.
For the rest, I am drawing the Exercices au Fusain on the
Ingres paper you brought with you; it is difficult enough. It
is much more inspiring to draw from nature than to copy such a
page from the Bargues, but still I set myself the task of
drawing them once more, and now for the last time. It would not
be right if I paid too much attention to details and overlooked
the great things when drawing from nature. And that was too
much the case in my last drawings, I thought. Therefore I want
to study Bargue's method again (he gives only broad lines and
forms, and simple delicate outlines). And for the moment I have
stopped drawing outdoors. When I go back to it shortly, I shall
have a better view of things than before.
In do not know if you ever read English books; if you do, I
can strongly recommend that you read Shirley by Currer Bell,
author of another book called Jane Eyre. It is as beautiful as
pictures by Millet or Boughton or Herkomer. I found it at
Prinsenhage and finished it in three days, though it is quite a
voluminous book.
I wish all people had what I am gradually beginning to
acquire: the power to read a book in a short time without
difficulty, and to keep a strong impression of it. In reading
books, as in looking at paintings, one must admire what is
beautiful with assurance - without doubt, without
hesitation.
I am busy rearranging all my books; I have read too much not
to work on systematically to get at least an idea of modern
literature. Sometimes I am so sorry that I do not know more
about history, especially modern history. Well, being sorry and
giving up doesn't help us on; the only thing to do is to push
forward.
I was very glad to detect now and then in your talk some
very good philosophy. Who knows what a great thinker you may
become in time. If you think Illusions Perdues by Balzac too
long (two volumes), then try Le Père Goriot, only one
volume; once you have tried Balzac, you will prefer him to many
others. Remember Balzac's nickname,
“vétérinaire des maladies
incurables.” [Veterinary of incurable diseases.]
By the time I have finished the Bargues, it will be autumn;
that is a delightful time for drawing. I wish that Rappard
would come back here then.
I think I shall find a good model here in Piet Kaufman, the
gardener, but I think it will be better to let him pose with a
spade or plough or something like that - not here at home, but
either in the yard or in his own home or in the field. But what
a tough job it is to make people understand how to pose. Folks
are desperately obstinate about it, and it is hard to make them
yield on this point: they only want to pose in their Sunday
best, with impossible folds in which neither knees, elbows,
shoulder blades nor any other part of the body have left their
characteristic dents or bumps. Indeed, that is one of the
petites misères de la vie d'un dessinateur [small
miseries of a draughtsman's life].
Well, adieu, write when you can and receive a handshake in
thought from
Yours sincerely, Vincent
At this time, Vincent was 28 year oldSource: Vincent van Gogh. Letter to Theo van Gogh. Written early August 1881 in Etten. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 148. URL: https://www.webexhibits.org/vangogh/letter/10/148.htm.
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