If I am not mistaken, you must still have “Les Travaux
des Champs” by Millet. Would you be so kind as to lend
them to me for a short time, and send them by mail?
I must tell you that I am busy sketching large drawings
after Millet, and that I have already finished “The Four
Hours of the Day “as well as “The Sower.”
Well, perhaps if you saw them, you would not be altogether
dissatisfied. Now if you send me “Les Travaux des
Champs,” you might perhaps add some other prints by, or
after, Millet, Breton, Feyen-Perrin, etc. Do not buy them for
this purpose, but lend me what you have.
Send me what you can, and do not fear for me. If I can only
continue to work, somehow or other it will se me right again.
Your doing this will help me a great deal. If you should take a
trip to Holland, I hope you will not pass by here without
coming to see the sketches.
I write to you while I am busy drawing, and I am in a hurry
to go back to it, so good night, and send me the prints as soon
as possible, and believe me,
Ever yours, Vincent
C/o Charles Decrucq,
Rue du Pavillon 3, Cuesmes.
The Millets which I copied are, “The Four Hours of the
Day,” the size is almost that of a page from the Cours de
Dessin Bargue. You will understand well enough what I want
without my telling you, but I'll tell you anyway, so you'll
know what I really think. It is especially studies of the
figure like “The Diggers” by Millet, or the
lithograph after his “Le Vanneur” [The Winnower]
and figures by Brion, Frère, or Feyen-Perrin, or Jules
Breton. I think that you might perhaps find just what I want at
the Alliance des Arts, where they sell lithographs of
contemporary artists cheaply. One print which I should like to
have immensely is the large etching by Daubigny after Ruysdael,
“Le Buisson” [The Copse], which is sold at the
chalcographic cabinet of the Louvre.
I have sketched a drawing representing miners, men and
women, going to the shaft in the morning through the snow, by a
path along a thorn hedge: passing shadows, dimly visible in the
twilight. In the background the large mine buildings and the
heaps of clinkers stand out vaguely against the sky. I am
sending you a hasty sketch so you can see what it is like. But
I feel the need to study the drawing of the figure from masters
like Millet, Breton, Brion, or Boughton, or others. What do you
think of the sketch - do you think the idea good?
Among Bingham's photographs of pictures by J. Breton, if I
remember correctly, there is one representing gleaners: dark
silhouettes against a red sky at sunset. Well, these are the
things I want to study. It is because I think you would rather
see me doing some good work than nothing that I write to you on
this subject, and perhaps it might be a reason for restoring
the entente cordiale and the sympathy between us, and
make us of some use to one another.
I should like very much to do that drawing over again,
better than it is now. In the one I have done already, such as
it is, the figures could be 10 cm. high. The pendant represents
the return of the miners, but it did not turn out so well; it
is very difficult, being an effect of brown silhouettes, just
touched by light, against a mottled sky at sunset.
Send me “Les Travaux des Champs” by return mail
if you can and will. I wrote a note to Mr. Tersteeg to ask him
if perhaps there was a chance of my having for a time the
Exercices au Fusain, by Bargue - that is, the studies from the
nude, which you know. I do not know whether he will send them
or not, but in case he should not be willing to, could you put
in a word for me? For those Exercices au Fusain would be of
immense service to me. But perhaps he will do me the favour of
sending at least a few sheets, if not the whole course.
Sketch of miners enclosed in letter
At this time, Vincent was 27 year old
Vincent van Gogh. Letter to Theo van Gogh. Written 20 August 1880 in Cuesmes. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 134.
This letter may be freely used, in accordance with the terms of this site.