Paris, 18 September 1889
My dear Vincent,
I have put off replying to your last letter, as I had hoped
to meet Father Pissarro. He has gone back home now, but intends
to return to Paris shortly. When Father Tangui and I had a
talk, we already touched upon the question of whether there
might be a means of bringing about the arrangement you speak
of, but then there came the death of his mother, so that it was
not the right moment. Last year De Haan wanted to go and stay
with him, but then he said that he didn't have enough room, and
he went to look for accommodation at the houses of his
neighbours, but in vain. I spoke about it with Jouve, who
promised me to be on the lookout for an arrangement, for
staying with him is impossible through lack of room. But he has
got his studio. He gives the impression of being better off now
that he has found work as a decorator. He is a man with a lot
of common sense. But as regards what is essential - to know
whether your health is going to improve, whether you are going
to live with one or the other of these people, that is the
great question. When you speak of conquering your disease by
work, my dear old fellow, you never did anything else, and for
this reason you need not change your way of life. On the
contrary, I think that the only thing which can cure you is for
you to try to fortify your body, and those dark thoughts will
vanish as soon as you have some more blood in your body. I am
always afraid when you are working that way, in a frenzy - for
you necessarily exhaust yourself by it. I understand that
idleness is a weight on your mind, especially if you have no
company to your liking; but when you come here, there is the
danger of finding company that will enervate you. I should say
go into the country somewhere where there is some forgotten
artist, but you know how much you suffer from cold, as long as
you are not absolutely well, you ought not to be alone.
According to Rivet, and also according to what I conclude from
Mr. Peyron's letters, there is a possibility, which you would
rather not believe, but it is absolutely necessary that you do
nothing imprudent, and that you stay under the supervision of a
doctor. Do you want to go to a sanatorium here until the winter
is over, and then go into the country to paint? Please give
a categorical answer to this. Why do you stay locked up,
and why don't you go out into the fresh air? This can only do
you good, whereas a sedentary life won't do at all for you.
It is also necessary for you to eat meat.
are three pictures by Meunier at the exhibition which you would
have seen with pleasure. One of them is a study of red roofs
above which rise the chimney stacks of factories, all of which
have heavy streaks of smoke standing out against a milky
morning sky. Number 2 is a group of workmen on their way to the
factory, marching two abreast through heaps of slag and coal,
wooden props, black chunks threatening the sky. Number 3,
“La Hercheuse.” She stands talking to a young boy
before going down into the mine. They are dressed in the same
way, but she is all woman; above their heads a big beam cuts
off part of the sky against which they are delineated. And this
too, though, it may be neither impressionistic nor modern
painting, is very good for all that; all three pictures are
hoisted high up in the room.
There is also a life-size puddler in bronze, which looks
like some figure by Millet, also very good.
Jo is quite well; she is now somewhere in the middle of her
pregnancy. So far all goes well; she is big, which hinders her
a little, but apart from a fit of nausea now and then, there is
nothing the matter with her. She is no longer uneasy now, and
has no fears. I hope you are getting better, and that you are
not feeling too unhappy. We often speak and think of you.
Kindest regards from Jo and a cordial handshake.
At this time, Vincent was 36 year old
Theo van Gogh. Letter to Vincent van Gogh. Written 18 September 1889 in Saint-Rémy. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number T17.
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