Arles, 8 October 1888 (includes last part of 546)
My dear Theo,
My whole mind, like yours, is set on Gauguin now. And like
you, I hope that he will come right away.
This is great about Bague!
Not that it amazes me, but I am pleased for Bague, for I
always thought him the penitent thief.
So if you happen to see him - and if you don't, then go on
purpose - let him know that I have a “Starry
Night,” the “Furrows,” the “Poet's
Garden,” the “Vineyard.”
In short, romantic landscapes.
Do not say too much about the studies, which certainly are
more trouble to do, but are less saleable. If you had sent me
200 fr. I should have done the same thing with the sea at
We are now in the midst of a merciless mistral, it is very
bad for the work. But later, before the real winter, we shall
have more fine weather, and in any case I hope to add other
things to the series I am working on.
Do you know what I have left today out of the money you sent
this very day? Well, I have 6 francs.
I asked you to send it to me on Friday, and I only received
your letter four days later, on Monday noon.
It is mostly the fault of the frames, which I have already
ordered, and which I need very badly. I can only finish in a
frame. And besides, we may make use of them in Marseilles.
I have three kinds of wood, walnut, chestnut and pine, for
And if you see him, do give Bague my kind regards, and tell
him that I recommend him my “Vineyard” and my
“Starry Night.” And the same to Tripp. Didn't they
buy a lot from Mauve, didn't they even buy Mauve's last big
water colours at a good price? I do not know, it is so long
since I saw anything of them. But in the past I never quarreled
with either Tripp or Bague.
As for Thomas, I think it would be the right thing to go and
I have just written that, all told, I have 6 francs
Is that enough for a week? No.
So I really beg you to send me a louis, and that by return
mail, please. That will give me 16 francs for the week, and
then I shall manage to get through. But do not delay.
Besides, I must be ready to work as soon as the fine weather
appears. We have an absolutely merciless mistral, but I must
hold myself in readiness, the work is done in short intervals.
So that everything must be prepared and ready for the
It is very urgent, because already I have bought some canvas
here so as to be ready for tomorrow or the day after, according
to what the weather will be. The thing is that you must take
advantage of the intervals in the mistral and be ready
My dear Theo, a thousand thanks for the paints and your
letter of today.
The work holds me in its grip, and I am sure I shall not
lose by it if I can go on like this, the big canvases are all
But they are exhausting too.
Herewith yesterday's letter which I am sending you, such as
it is. From it you will see what I think of Gauguin's portrait.
Too dark, too sad.
I do not say that I do not like it as it is, but he will
change, and he must come. Yes, indeed, they spend less than I,
yes - but - if I was with two others as he is - if he spent a
little more it would be better. Once more, one must not do
flesh with Prussian blue. Because then it ceases to be flesh;
it becomes wood. And there is nothing so urgent for Gauguin,
nothing better for him to do, than to join me. However, I
venture to think that with regard to colouring, the other
Breton pictures will be better than the portrait he has sent
me, done, after all, in haste. And I am far from judging
studies such as that. However, you will see for yourself.
Say, if you can, don't let me be so hard up all the week. If
you can, send me another louis. I don't quite know how to
manage without it.
At this time, Vincent was 35 year old
Vincent van Gogh. Letter to Theo van Gogh. Written 8 October 1888 in Arles. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, number 547.
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