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Pigments through the Ages - Intro to the oranges Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the oranges Intro to the oranges Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Chrome orange Realgar In this Impressionist painting, the sun is set against the dawn, a vibrant orange color rising against the gray setting of its motionless surroundings. The movement’s name was engendered by this Monet paining, “Impression: Sunrise” (1873, Musee Marmottan, Paris), when ... http://www.webexhibits.org/pigments/intro/oranges.html · 17.1k |
Pigments through the Ages - Red in Alchemy Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red in Alchemy Red in Alchemy Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black The stone of the wise.The medicine of the third order. A month having been completed, the omnipotent king or our stone arises, the perfect medicine of the third order in its projection able to transmute all metals. (Source: Cabala mineralis manuscript, at Alchemy Web Site.) According to the ideas of Alchemy ... http://www.webexhibits.org/pigments/intro/reds3.html · 12.8k |
Pigments through the Ages - Intro to the reds Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the reds Intro to the reds Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Madder Red lead Red ochre Vermilion Cinnabar is a type of red mercury ore that was mixed with an equal amount of burning sulphur to create an expensive red paint that was highly popular with the Romans, where it was used for cosmetic and decorative purposes. Cinnabar was painted on the ... http://www.webexhibits.org/pigments/intro/reds.html · 17.2k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Yellow River ladden with mud Yellow pigments (goethite and clay) were used the in the wall paintings in the cave of Lascaux 17 000 years ago. Yellow ochre was used by ancient Egyptians to depict skin tones or for painting backgrounds in their wall paintings. Egyptian hieroglyphs are the only known script using color to ... http://www.webexhibits.org/pigments/intro/yellows2.html · 13.7k |
Pigments through the Ages - Technical Information - Ultramarine Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Ultramarine Ultramarine / ul • truh • muh • reen / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details About the chemical structure: Chemical name: A complex sulfur-containing sodium aluminum silicate Formula: Na8-10Al6Si6O24S2-4 Crystal system: Isometric - Hextetrahedral (at Mineralogy Database) Refractive index: 1.5 Color: Color Index (C.I.) PB 29 How can you identify Ultramarine? ... http://www.webexhibits.org/pigments/indiv/technical/ultramarine.html · 16.7k |
Pigments through the Ages - History - Ultramarine Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Ultramarine Ultramarine / ul • truh • muh • reen / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Ultramarine: Natural Ultramarine Ultramarine is famous for having been the most expensive pigment. It was more expensive than gold during the Renaissance. First used in 6th century Afghanistan, the pigment found its most extensive use in 14th and 15th century illuminated manuscripts ... http://www.webexhibits.org/pigments/indiv/history/ultramarine.html · 13.2k |
Pigments through the Ages - Technical Information - Realgar Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Realgar Realgar / ree • al • gar / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details A painted swatch of Realgar: n/a About the chemical structure: Chemical name: arsenic sulfide Formula: As4S4 Crystal system: Monoclinic - Prismatic (at Mineralogy Database) Refractive index: alpha =1.73, beta =1.758, gamma =1.838 Color: Color Index (C.I.) PB 30 How can you identify Realgar? ... http://www.webexhibits.org/pigments/indiv/technical/realgar.html · 16.7k |
Pigments through the Ages - Technical Information - Azurite Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Azurite Azurite / azh • uh • rite / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details About the chemical structure: Chemical name: Basic copper(II)-carbonate Formula: 2 CuCO3 · Cu(OH)2 Crystal system: Monoclinic - Prismatic (at Mineralogy Database) Refractive index: alpha =1.73, beta =1.758, gamma =1.838 Color: Color Index (C.I.) PB 30 How can you identify Azurite? Imaging: UVF: no ... http://www.webexhibits.org/pigments/indiv/technical/azurite.html · 16.8k |
Pigments through the Ages - History - Madder lake Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Madder lake Madder lake Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Madder lake : Natural: Madder lake Dyes derived from the extract of the madder plant's root (rubia tinctorum) were in use by the ancient Egyptians, Greeks and Romans for coloring textiles. Madder has been cultivated as a dyestuff since antiquity also in central Asia, where it was grown as early as 1500 B.C. ... http://www.webexhibits.org/pigments/indiv/history/madder.html · 12.5k |
Pigments through the Ages - Overview - Emerald green Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Emerald green Emerald green / em • ruhld green / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Brief description of Emerald green: It's a poisonous copper-acetoarsenite developed in an attempt to improve Scheele's green in 1808 and commercially availble from 1814. This became known in England as emerald green, and for a time it was the finest green pigment known, rapidly displacing Scheele's ... http://www.webexhibits.org/pigments/indiv/overview/emerald.html · 15.6k |
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