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Pigments through the Ages - Overview - Carmine lake Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Carmine lake Carmine lake / ka • chuh • neel / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Carmine lake. Brief description of Carmine lake: One of the delights of autumn is, to walk through the woodlands and feast your eyes upon their coloring. For thousands of years, men have labored to satisfy this instinctive love of color by making beautiful things with dyes, stains ... http://www.webexhibits.org/pigments/indiv/overview/carmine.html · 15.8k |
Pigments through the Ages - Overview - Indigo Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Indigo Indigo / in • deh • go / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Indigo. Brief description of Indigo: Indigo was quite often used in European easel painting since the Middle Ages and written evidence also points to its use by the Romans. Increasingly, analysis has identified indigo present not only in underpaint, but also in top paint layers. It has high ... http://www.webexhibits.org/pigments/indiv/overview/indigo.html · 15.3k |
Pigments through the Ages - Intro to the whites Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the whites Intro to the whites Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Lead white Lime white Titanium white Zinc white “Paris Street in Rainy Weather” (1877) by Gustav Caillebotte. The artist seems to have used different shades of yellow, red, and blue to paint the cobbled ground. However, the primary color is white, giving the impression of infinite shades ... http://www.webexhibits.org/pigments/intro/whites.html · 16.6k |
Pigments through the Ages - History - Carmine lake Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Carmine lake Carmine lake / ka • chuh • neel / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Carmine lake: Cochineal lake Cochineal, native to the New World, was used by the Aztecs for dyeing and painting and was brought to Europe in the sixteenth century following the Spanish conquest. When Cortez and his conquistadors entered the Mexican capital, with its great market place, ... http://www.webexhibits.org/pigments/indiv/history/carmine.html · 11.4k |
Pigments through the Ages - Industrialization (1800) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Industrialization (1800) Industrialization (1800) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques The main innovation in this era was the collapsible tin paint tube, invented in 1841 by American painter John Rand. This revolutionized the color palette and technique of plein-air oil painting by offering a range of pre ... http://www.webexhibits.org/pigments/intro/industrialization.html · 16.0k |
Pigments through the Ages - Intro to the yellows Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the yellows Intro to the yellows Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Cadmium yellow Chrome yellow Cobalt yellow Indian yellow Lead tin yellow Lemon yellow Naples yellow Orpiment Yellow ochre The title of Turner’s painting “Light and Morning after the Deluge, Moses writing the Book of Genesis” (1843) pointedly describes the role of the color yellow: ... http://www.webexhibits.org/pigments/intro/yellows.html · 18.4k |
Pigments through the Ages - Middle Ages Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Middle Ages Middle Ages Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Attributed to Hendrick Goltzius (1558–1617): Cadmus Slays the Dragon Oil on canvas Christianity Medieval minesongs described green as the color of love, on the other hand it also represented demons and evil serpents. Dragon had a positive connotation in the philosophy of ancient Chinese where it represented divine ... http://www.webexhibits.org/pigments/intro/greens3.html · 15.1k |
Pigments through the Ages - Intro to the browns Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the browns Intro to the browns Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Umber Van Dyke brown One of the first brown pigments was umber, a dark brown clay that contains iron and manganese oxides. Symbolism of the Color Brown The word brown comes from Old English “brún,” used for any dusky or dark shade of color. Brown represents earthiness. While brown might be ... http://www.webexhibits.org/pigments/intro/browns.html · 15.9k |
Pigments through the Ages - Intro to the blacks Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blacks Intro to the blacks Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Bone black Carbon black From prehistoric times to the present day, artists typically use carbon black charcoal to sketch their initial designs before starting a painting. These preliminary charcoal sketches are often used to outline the composition and determine the relative values of the ... http://www.webexhibits.org/pigments/intro/blacks.html · 17.1k |
Pigments through the Ages - Technical Information - Cobalt yellow Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt yellow Cobalt yellow / ko • bawlt yel • low / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details About the chemical structure: Chemical name: potassium cobaltinitrite Formula: K3[Co(NO2)6] · H2O Refractive index: n/a Color: Color Index (C.I.) PY 40 How can you identify Cobalt yellow? Imaging: UVF: no IRFC: blue OM: at high magnification, tiny crystals and crystalline clusters ... http://www.webexhibits.org/pigments/indiv/technical/coyellow.html · 15.3k |
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