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Pigments through the Ages - Intro to the blacks Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blacks Intro to the blacks Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Bone black Carbon black From prehistoric times to the present day, artists typically use carbon black charcoal to sketch their initial designs before starting a painting. These preliminary charcoal sketches are often used to outline the composition and determine the relative values of the ... http://www.webexhibits.org/pigments/intro/blacks.html · 17.1k |
Pigments through the Ages - Intro to the blues Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blues Intro to the blues Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Azurite Cerulean Blue Cobalt blue Egyptian blue Indigo Prussian blue Smalt Ultramarine A perfect blue. Yves Klein (1928-1962), Blue Monochrome, 1961, The Sidney and Harriet Janis Collection. Monochrome painting was defined by Yves Klein as an "open window to freedom as the possibility of ... http://www.webexhibits.org/pigments/intro/blues.html · 19.0k |
Pigments through the Ages - Intro to the greens Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the greens Intro to the greens Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Cobalt green Copper resinate Emerald green Green earth Malachite Verdigris Viridian Melon-shaped wine ewer, Goryeo dynasty (918–1392), 12th century, Korea, Stoneware with carved and incised decoration of bamboo under celadon glaze Symbolism of the Color Green The word green is closely ... http://www.webexhibits.org/pigments/intro/greens.html · 17.5k |
Pigments through the Ages - Overview - Vermilion Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Vermilion Vermilion / vir • mill • eon / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Vermilion. Brief description of Vermilion: An orangish red pigment with excellent hiding power and good permanence. It's a mercury sulfide mineral (cinnabar) used from antiquity through to the present though only scarcely due to its toxicity. Made artificially from the 8th century ( ... http://www.webexhibits.org/pigments/indiv/overview/vermilion.html · 14.5k |
Pigments through the Ages - History - Madder lake (Alizarin) www.webexhibits.org/pigments » Madder lake (Alizarin) / uh • lih • zuh • ruhn / Madder lake (Alizarin) Jump to pigment Madder lake (alizarine) Azurite Bone black Brown ochre Carmine Cadmium orange cadmium yellow Cerulean Blue Calcium carbonate whites Charcoal cobalt blue Cobalt green cobalt violet Cobalt yellow Chrome orange chrome yellow copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo lead white Lemon yellow malachite Naples yellow Orpiment lead tin yellow Prussian blue realgar red lead Red ochre smalt titanium dioxide Ultramarine Umbra Van Dyke brown verdigris vermilion viridian Yellow ochre zinc white font size: a a a At a glance Background Making the pigment Technical details A painted swatch of Madder lake (Alizarin): History of Madder lake (Alizarin): Madder red was another important synthetic pigment produced in the early years of the nineteenth century. This time, cost was not a factor in its development, but the need for a more permanent version of its ancient precursor. Dyes derived from ... http://www.webexhibits.org/pigments/indiv/history/alizarin.html · 15.6k |
Pigments through the Ages - Intro to the purples Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the purples Intro to the purples Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Carmine Cobalt violet Mimicking ancient methods of purple dyeing with carmine and indigo. On the low hills south of Goshen, New York, a farm with a little flock of sheep hand dyes its own yarn. There is something beautifully real about seeing a snowflake dissolve in a steaming pot of wine ... http://www.webexhibits.org/pigments/intro/purples.html · 15.5k |
Pigments through the Ages - Red in Alchemy Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red in Alchemy Red in Alchemy Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black The stone of the wise.The medicine of the third order. A month having been completed, the omnipotent king or our stone arises, the perfect medicine of the third order in its projection able to transmute all metals. (Source: Cabala mineralis manuscript, at Alchemy Web Site.) According to the ideas of Alchemy ... http://www.webexhibits.org/pigments/intro/reds3.html · 12.8k |
Pigments through the Ages - Choose a time period Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Choose a time period Choose a time period Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age From prehistoric times, humans have left an imprint on their environment in the form of painted images, which both beautified their world and expressed their thoughts and feelings. It may be that primitive man scratched trees or rocks with stones as ... http://www.webexhibits.org/pigments/intro/history.html · 79.6k |
Pigments through the Ages - Colorants & dyes Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Colorants & dyes Colorants & dyes Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black These four panels depict the traditional process of indigo manufacture in India. Clockwise starting at top left, beating by machinery; "rahut," or Persian wheel; straining the indigo; press and boiling house. Coloring, dyeing and devil’s colors Choosing the color of one’s garments in Middle Ages before the ... http://www.webexhibits.org/pigments/intro/blues3.html · 13.8k |
Pigments through the Ages - History - Red Ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red Ochre Red Ochre / red oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Red Ochre: Prehistoric dwellers may have discovered that unlike the dye colors derived from animal and vegetable sources (which we do not have traces anymore), the color that came from iron oxide deposits in the earth would not fade with the changing environment. For this reason, it is estimated ... http://www.webexhibits.org/pigments/indiv/history/redochre.html · 10.5k |
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