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Pigments through the Ages - Intro to the yellows Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the yellows Intro to the yellows Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Cadmium yellow Chrome yellow Cobalt yellow Indian yellow Lead tin yellow Lemon yellow Naples yellow Orpiment Yellow ochre The title of Turner’s painting “Light and Morning after the Deluge, Moses writing the Book of Genesis” (1843) pointedly describes the role of the color yellow: ... http://www.webexhibits.org/pigments/intro/yellows.html · 18.4k |
Pigments | Causes of Color font size: a a a Related pages: Pigments Flowers Animals Humans Fall & fruit Flamingos Cabbage Chlorophyll Do it Yourself A page from the "Causes of Color" exhibit... What do sea snails and emperors have in common? (organic pigments) Although many modern dyes are synthetic, our ancestors managed to obtain a wide spectrum of colors from mineral and animal sources long before chemical equivalents were manufactured. Those most rare and difficult to obtain became symbols of wealth and status. Dyes and pigments are words we use loosely to describe colors in food, fabrics, paints, and other materials, but in reality their meanings are distinct. Dyes are colored substances that change the color of other materials permanently. They are soluble substances, though some become insoluble after they have been applied. They have a special affinity for the substrate they color. In contrast, pigments are insoluble color particles that require a binding agent to hold them onto the surface of the material being colored. Sea snails and Tyrian Purple The color purple is associated ... http://www.webexhibits.org/causesofcolor/7.html · 29.8k |
Pigments through the Ages - History - Cobalt violet Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt violet Cobalt violet / ko • bawlt vie • (uh) • luht / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Cobalt violet: The remarkable range of pigments that could be produced with cobalt included cobalt violet, is known since 1859. Salvetat first described the preparation of cobalt violet in Comptes Rendus des Seances de l'Academie des Sciences XLVIII in an article titled, " ... http://www.webexhibits.org/pigments/indiv/history/coviolet.html · 10.3k |
Pigments through the Ages - Conflicting use Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Conflicting use Conflicting use Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Saffron flower Dried saffron filaments Weld (Reseda Luteola) Giotto Bondone, Judas’ Kiss Raw material for the dye of robes of Chinese Emperors is the crocus-like saffron plant. During autumn saffron bears pale violet flowers equiped with a four inches long style with three threadlike filaments. Collecting ... http://www.webexhibits.org/pigments/intro/yellows3.html · 15.0k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Yellow River ladden with mud Yellow pigments (goethite and clay) were used the in the wall paintings in the cave of Lascaux 17 000 years ago. Yellow ochre was used by ancient Egyptians to depict skin tones or for painting backgrounds in their wall paintings. Egyptian hieroglyphs are the only known script using color to ... http://www.webexhibits.org/pigments/intro/yellows2.html · 13.7k |
Pigments through the Ages - Color of power Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Color of power Color of power Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Raphael, Portrait of a Cardinal, 1510-12 The Emperor alone was allowed to wear purple robes during Roman times. Senators had to make do with purple ribbons on their togas. German emperors continued the tradition of wearing purple robes as a symbol of power and they were joined by the cardinals in 1468. Strict ... http://www.webexhibits.org/pigments/intro/reds4.html · 16.4k |
Pigments through the Ages - Technical Information - Cobalt violet Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt violet Cobalt violet / ko • bawlt vie • (uh) • luht / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details About the chemical structure: Chemical name: Cobalt(II)-phosphate or Cobalt(II)-arsenate Formula: Co3(PO4)2 or Co3(AsO4)2 3D model: grey = phosphorus, light blue = cobalt, red = oxygen Refractive index: n/a Color: Color Index (C.I.) PV 48 How can you identify Cobalt violet? ... http://www.webexhibits.org/pigments/indiv/technical/coviolet.html · 15.0k |
Pigments through the Ages - Overview - Cobalt violet Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt violet Cobalt violet / ko • bawlt vie • (uh) • luht / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cobalt violet. Brief description of Cobalt violet: The first real violet pigment prepared by Salvètat in 1859. It is chemically stable, but its rather high cost and low tinting power prevented its wider use in paintings. Not unlike its older sister Cobalt Green, its ... http://www.webexhibits.org/pigments/indiv/overview/coviolet.html · 14.6k |
Pigments through the Ages - History - Carmine lake Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Carmine lake Carmine lake / ka • chuh • neel / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Carmine lake: Cochineal lake Cochineal, native to the New World, was used by the Aztecs for dyeing and painting and was brought to Europe in the sixteenth century following the Spanish conquest. When Cortez and his conquistadors entered the Mexican capital, with its great market place, ... http://www.webexhibits.org/pigments/indiv/history/carmine.html · 11.4k |
Pigments through the Ages - Overview - Indigo Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Indigo Indigo / in • deh • go / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Indigo. Brief description of Indigo: Indigo was quite often used in European easel painting since the Middle Ages and written evidence also points to its use by the Romans. Increasingly, analysis has identified indigo present not only in underpaint, but also in top paint layers. It has high ... http://www.webexhibits.org/pigments/indiv/overview/indigo.html · 15.3k |
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