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Pigments through the Ages - Choose a time period Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Choose a time period Choose a time period Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age From prehistoric times, humans have left an imprint on their environment in the form of painted images, which both beautified their world and expressed their thoughts and feelings. It may be that primitive man scratched trees or rocks with stones as ... http://www.webexhibits.org/pigments/intro/history.html · 79.6k |
Pigments through the Ages - Middle Ages Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Middle Ages Middle Ages Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Attributed to Hendrick Goltzius (1558–1617): Cadmus Slays the Dragon Oil on canvas Christianity Medieval minesongs described green as the color of love, on the other hand it also represented demons and evil serpents. Dragon had a positive connotation in the philosophy of ancient Chinese where it represented divine ... http://www.webexhibits.org/pigments/intro/greens3.html · 15.1k |
Pigments through the Ages - History - Cobalt blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt blue Cobalt blue / ko • bawlt bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Cobalt blue: Although smalt, a pigment made from cobalt blue glass has been known at least since the Middle Ages, the cobalt blue established in the nineteenth century was a greatly improved one. The isolation of the blue color of smalt was discovered in the first half of the eighteenth ... http://www.webexhibits.org/pigments/indiv/history/coblue.html · 11.5k |
Pigments through the Ages - Overview - Cerulean blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cerulean blue Cerulean blue / suh • roo • lee • uhn bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cerulean blue. Brief description of Cerulean blue: It's a cobalt stannate which was introduce as a pigment in the 1860s. Very stable and lightfast greenish blue with limited hiding power. Cerulean blue has a fairly true blue (not greenish or purplish) but it doesn't ... http://www.webexhibits.org/pigments/indiv/overview/ceruleanblue.html · 15.3k |
Pigments through the Ages - Overview - Chrome orange Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Chrome orange Chrome orange / krome are • inj / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Chrome orange. Brief description of Chrome orange: Chrome orange is a basic lead chromate which was introduce as a pigment in 1809. The color of the pigment can range from light to deep orange, the hiding power is excellent. The world production of chrome orange ceased few years ... http://www.webexhibits.org/pigments/indiv/overview/crorange.html · 15.2k |
Pigments through the Ages - Overview - Chrome yellow Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Chrome yellow Chrome yellow / krome yel • low / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Chrome yellow. Brief description of Chrome yellow: Relatively inexpensive yellow pigment with high covering power but with only fair lightfastness and chemical stability. The chrome colors were in use by 1816 but on a limited basis. Because the pigment tends to oxidize and darken ... http://www.webexhibits.org/pigments/indiv/overview/cryellow.html · 15.3k |
Pigments through the Ages - Pigments in acrylics Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Pigments in acrylics Pigments in acrylics Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Techniques Oil paint Acrylic Watercolor Pastels Egg tempera Choose: 1 2 3 4 5 6 7 Still Life of Flowers, Thaneeya McArdle, 2009. Acrylic is an appealing medium because of its versatility. When it is watered down, acrylic paint can become thin and watery like watercolors. Acrylic paint can also be applied thickly, mimicking the appearance of oil paints. ... http://www.webexhibits.org/pigments/intro/acrylic.html · 36.3k |
Pigments through the Ages - Overview - Umber Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Umber Umber Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Umber. Brief description of Umber: Umber is a natural mixture of iron and manganese oxides and hydroxides. Used throughout history, it has earthtones from cream to brown depending on the amount of iron and manganese compounds and is totally stable. This pigments it's known also has Sienna earth. It could in two ... http://www.webexhibits.org/pigments/indiv/overview/umber.html · 15.7k |
Pigments through the Ages - History - Zinc white Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Zinc white Zinc white / zink wite / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Zinc white: Zinc has been known as a mineral since antiquity when it was melted with copper to form brass. It was also known then, as it is today, as a medicinal ointment. Sources differ on who first isolated the element. Harley and Wehlte claim it was Henkel in 1421 who first produced metallic zinc. ... http://www.webexhibits.org/pigments/indiv/history/zincwhite.html · 13.8k |
Pigments through the Ages - Overview - Cobalt green Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt green Cobalt green / ko • bawlt green / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cobalt green. Brief description of Cobalt green: It's a green cobalt-oxide-zinc-oxide, semi-transparent of limited hiding power discovered by Rinmann in 1780. Due to its permanence it can be used in all painting techniques. The poor tinting strength and high cost of cobalt green ... http://www.webexhibits.org/pigments/indiv/overview/cogreen.html · 16.0k |
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