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Pigments through the Ages - Overview - Carbon black Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Carbon black Carbon black / char • kole blak / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Carbon black. Brief description of Carbon black: Carbon black was used as a pigment since very earliest times. Carbon blacks are made by heating wood, or other plant material, with a very restricted air supply. Sticks of charcoal have been used for sketching by artists of all ... http://www.webexhibits.org/pigments/indiv/overview/carbonblack.html · 15.1k |
Pigments through the Ages - Overview - Carbon black Home Background Purple Blue Green Yellow Orange Red White Brown Black About www.webexhibits.org/pigments » Carbon black Carbon black / char • kole blak / Jump to pigment Azurite Bone black Brown ochre Carmine Cadmium orange cadmium yellow Cerulean Blue Calcium carbonate whites Charcoal cobalt blue Cobalt green cobalt violet Cobalt yellow Chrome orange chrome yellow copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo lead white Lemon yellow Madder malachite Minium Naples yellow Orpiment lead tin yellow Prussian blue realgar Red ochre smalt titanium dioxide Ultramarine Umber Van Dyke brown verdigris vermilion viridian Yellow ochre zinc white font size: a a a Overview History of use Making the pigment Technical details A painted swatch of Carbon black: Brief description of Carbon black: Carbon black was used as a pigment since very earliest times. Carbon blacks are made by heating wood, or other plant material, with a very restricted air supply. Sticks of charcoal have been used for sketching ... http://www.webexhibits.org/pigments/indiv/overview/charcoal.html · 14.2k |
Pigments through the Ages - Overview - Madder lake (Alizarin) www.webexhibits.org/pigments » Madder lake (Alizarin) / uh • lih • zuh • ruhn / Madder lake (Alizarin) Jump to pigment Madder lake (alizarine) Azurite Bone black Brown ochre Carmine Cadmium orange cadmium yellow Cerulean Blue Calcium carbonate whites Charcoal cobalt blue Cobalt green cobalt violet Cobalt yellow Chrome orange chrome yellow copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo lead white Lemon yellow malachite Naples yellow Orpiment lead tin yellow Prussian blue realgar red lead Red ochre smalt titanium dioxide Ultramarine Umbra Van Dyke brown verdigris vermilion viridian Yellow ochre zinc white font size: a a a At a glance Background Making the pigment Technical details A painted swatch of Madder lake (Alizarin): Brief description of Madder lake (Alizarin): Natural dyes from plants (e.g. Madder) added to a white base or substrate. Dyes include dozens of hydroxyanthraquinones (e.g., alizarin) from plants. It is one of the most stable natural pigments. Madder was formerly used in large ... http://www.webexhibits.org/pigments/indiv/overview/alizarin.html · 13.8k |
Pigments through the Ages - Manufacture Recipes - Madder lake Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Madder lake Madder lake Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details How Madder lake is made: Origin: plant Madder is a dye that is made into a pigmented by "laking" it - binding it to a white powder. Drawing of the madder plant, and harvesting madder root Natural variety of pigment Roots of the madder plant are dried, crushed, hulled, boiled in weak acid to dissolve the dye, and ... http://www.webexhibits.org/pigments/indiv/recipe/madder.html · 17.8k |
Pigments through the Ages - Intro to the purples Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the purples Intro to the purples Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Carmine Cobalt violet Mimicking ancient methods of purple dyeing with carmine and indigo. On the low hills south of Goshen, New York, a farm with a little flock of sheep hand dyes its own yarn. There is something beautifully real about seeing a snowflake dissolve in a steaming pot of wine ... http://www.webexhibits.org/pigments/intro/purples.html · 15.5k |
Pigments through the Ages - Intro to the reds Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the reds Intro to the reds Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Madder Red lead Red ochre Vermilion Cinnabar is a type of red mercury ore that was mixed with an equal amount of burning sulphur to create an expensive red paint that was highly popular with the Romans, where it was used for cosmetic and decorative purposes. Cinnabar was painted on the ... http://www.webexhibits.org/pigments/intro/reds.html · 17.2k |
Pigments through the Ages - History - Madder lake (Alizarin) www.webexhibits.org/pigments » Madder lake (Alizarin) / uh • lih • zuh • ruhn / Madder lake (Alizarin) Jump to pigment Madder lake (alizarine) Azurite Bone black Brown ochre Carmine Cadmium orange cadmium yellow Cerulean Blue Calcium carbonate whites Charcoal cobalt blue Cobalt green cobalt violet Cobalt yellow Chrome orange chrome yellow copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo lead white Lemon yellow malachite Naples yellow Orpiment lead tin yellow Prussian blue realgar red lead Red ochre smalt titanium dioxide Ultramarine Umbra Van Dyke brown verdigris vermilion viridian Yellow ochre zinc white font size: a a a At a glance Background Making the pigment Technical details A painted swatch of Madder lake (Alizarin): History of Madder lake (Alizarin): Madder red was another important synthetic pigment produced in the early years of the nineteenth century. This time, cost was not a factor in its development, but the need for a more permanent version of its ancient precursor. Dyes derived from ... http://www.webexhibits.org/pigments/indiv/history/alizarin.html · 15.6k |
Pigments through the Ages - Overview - Zinc white Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Zinc white Zinc white / zink wite / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Zinc white. Brief description of Zinc white: Zinc white has a much colder, cleaner, whiter masstone than the best grades of lead white or titanium white. Zinc white was accepted as a watercolor by 1834 but it was some years later before its difficulties in oil were overcome Names for Zinc ... http://www.webexhibits.org/pigments/indiv/overview/zincwhite.html · 14.4k |
Pigments through the Ages - Overview - Vermilion Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Vermilion Vermilion / vir • mill • eon / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Vermilion. Brief description of Vermilion: An orangish red pigment with excellent hiding power and good permanence. It's a mercury sulfide mineral (cinnabar) used from antiquity through to the present though only scarcely due to its toxicity. Made artificially from the 8th century ( ... http://www.webexhibits.org/pigments/indiv/overview/vermilion.html · 14.5k |
Pigments through the Ages - Intro to the blues Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blues Intro to the blues Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Azurite Cerulean Blue Cobalt blue Egyptian blue Indigo Prussian blue Smalt Ultramarine A perfect blue. Yves Klein (1928-1962), Blue Monochrome, 1961, The Sidney and Harriet Janis Collection. Monochrome painting was defined by Yves Klein as an "open window to freedom as the possibility of ... http://www.webexhibits.org/pigments/intro/blues.html · 19.0k |
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