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Pigments through the Ages - Conflicting use Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Conflicting use Conflicting use Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Saffron flower Dried saffron filaments Weld (Reseda Luteola) Giotto Bondone, Judas’ Kiss Raw material for the dye of robes of Chinese Emperors is the crocus-like saffron plant. During autumn saffron bears pale violet flowers equiped with a four inches long style with three threadlike filaments. Collecting ... http://www.webexhibits.org/pigments/intro/yellows3.html · 15.0k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Yellow River ladden with mud Yellow pigments (goethite and clay) were used the in the wall paintings in the cave of Lascaux 17 000 years ago. Yellow ochre was used by ancient Egyptians to depict skin tones or for painting backgrounds in their wall paintings. Egyptian hieroglyphs are the only known script using color to ... http://www.webexhibits.org/pigments/intro/yellows2.html · 13.7k |
Pigments through the Ages - Color of power Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Color of power Color of power Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Raphael, Portrait of a Cardinal, 1510-12 The Emperor alone was allowed to wear purple robes during Roman times. Senators had to make do with purple ribbons on their togas. German emperors continued the tradition of wearing purple robes as a symbol of power and they were joined by the cardinals in 1468. Strict ... http://www.webexhibits.org/pigments/intro/reds4.html · 16.4k |
Pigments through the Ages - Intro to the blues Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blues Intro to the blues Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Azurite Cerulean Blue Cobalt blue Egyptian blue Indigo Prussian blue Smalt Ultramarine A perfect blue. Yves Klein (1928-1962), Blue Monochrome, 1961, The Sidney and Harriet Janis Collection. Monochrome painting was defined by Yves Klein as an "open window to freedom as the possibility of ... http://www.webexhibits.org/pigments/intro/blues.html · 19.0k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques The Minoans are attributed with inventing the fresco by applying pigments directly to a fresh lime surface. The pigments they used were earth pigments because they were unaffected by alkalis. Egyptian artists covered limestone walls of tombs with a ... http://www.webexhibits.org/pigments/intro/antiquity.html · 16.4k |
Pigments through the Ages - Colorants & dyes Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Colorants & dyes Colorants & dyes Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black These four panels depict the traditional process of indigo manufacture in India. Clockwise starting at top left, beating by machinery; "rahut," or Persian wheel; straining the indigo; press and boiling house. Coloring, dyeing and devil’s colors Choosing the color of one’s garments in Middle Ages before the ... http://www.webexhibits.org/pigments/intro/blues3.html · 13.8k |
Pigments through the Ages - Overview - Yellow ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Yellow ochre Yellow ochre / oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Yellow ochre. Brief description of Yellow ochre: Earthtones from cream to brown. Yellow ochre is a natural mineral consisting of silica and clay owing its color to an iron oxyhydroxide mineral, goethite. It is found throughout the world, in many shades, in hues from yellow to brown. The ... http://www.webexhibits.org/pigments/indiv/overview/yellowochre.html · 15.5k |
Pigments through the Ages - Intro to the purples Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the purples Intro to the purples Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Carmine Cobalt violet Mimicking ancient methods of purple dyeing with carmine and indigo. On the low hills south of Goshen, New York, a farm with a little flock of sheep hand dyes its own yarn. There is something beautifully real about seeing a snowflake dissolve in a steaming pot of wine ... http://www.webexhibits.org/pigments/intro/purples.html · 15.5k |
Pigments through the Ages - Intro to the oranges Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the oranges Intro to the oranges Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Chrome orange Realgar In this Impressionist painting, the sun is set against the dawn, a vibrant orange color rising against the gray setting of its motionless surroundings. The movement’s name was engendered by this Monet paining, “Impression: Sunrise” (1873, Musee Marmottan, Paris), when ... http://www.webexhibits.org/pigments/intro/oranges.html · 17.1k |
Pigments through the Ages - Intro to the reds Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the reds Intro to the reds Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Madder Red lead Red ochre Vermilion Cinnabar is a type of red mercury ore that was mixed with an equal amount of burning sulphur to create an expensive red paint that was highly popular with the Romans, where it was used for cosmetic and decorative purposes. Cinnabar was painted on the ... http://www.webexhibits.org/pigments/intro/reds.html · 17.2k |
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