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Pigments through the Ages - History Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » History History Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Jan van Eyck, Arnolfini Wedding, 1434 Symbolism of the color red in antiquity Red is supposedly the first color percieved by Man. Brain-injured persons suffering from temporary color-blindness start to perceive red before they are able to discern any other colors. Neolithic hunter peoples considered red to be the most ... http://www.webexhibits.org/pigments/intro/reds2.html · 15.3k |
Pigments through the Ages - Intro to the reds Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the reds Intro to the reds Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Madder Red lead Red ochre Vermilion Cinnabar is a type of red mercury ore that was mixed with an equal amount of burning sulphur to create an expensive red paint that was highly popular with the Romans, where it was used for cosmetic and decorative purposes. Cinnabar was painted on the ... http://www.webexhibits.org/pigments/intro/reds.html · 17.2k |
Pigments through the Ages - Color of power Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Color of power Color of power Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Raphael, Portrait of a Cardinal, 1510-12 The Emperor alone was allowed to wear purple robes during Roman times. Senators had to make do with purple ribbons on their togas. German emperors continued the tradition of wearing purple robes as a symbol of power and they were joined by the cardinals in 1468. Strict ... http://www.webexhibits.org/pigments/intro/reds4.html · 16.4k |
Pigments through the Ages - Middle Ages Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Middle Ages Middle Ages Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Attributed to Hendrick Goltzius (1558–1617): Cadmus Slays the Dragon Oil on canvas Christianity Medieval minesongs described green as the color of love, on the other hand it also represented demons and evil serpents. Dragon had a positive connotation in the philosophy of ancient Chinese where it represented divine ... http://www.webexhibits.org/pigments/intro/greens3.html · 15.1k |
Pigments through the Ages - Intro to the blacks Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blacks Intro to the blacks Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Bone black Carbon black From prehistoric times to the present day, artists typically use carbon black charcoal to sketch their initial designs before starting a painting. These preliminary charcoal sketches are often used to outline the composition and determine the relative values of the ... http://www.webexhibits.org/pigments/intro/blacks.html · 17.1k |
Pigments through the Ages - Technical Information - Red Ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red Ochre Red Ochre / red oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details A painted swatch of Red Ochre: n/a About the chemical structure: Chemical name: Anhydrous iron(III)-oxide Formula: Fe2O3 Refractive index: n/a Color: Color Index (C.I.) PR102 How can you identify Red Ochre? Imaging: UVF: no IRFC: yellow Analytics: It's identified by means of FTIR and Raman. ... http://www.webexhibits.org/pigments/indiv/technical/redochre.html · 14.9k |
Pigments through the Ages - Manufacture Recipes - Red Ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red Ochre Red Ochre / red oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details How Red Ochre is made: Origin: natural earth and artificial Red ochre consists of silica and clay owing its color to iron oxide. It is found throughout the world, in many shades, in hues from yellow to brown, and faint blue. The best brown ochre comes from Cyprus. Red and yellow ochre pigments abound at the ... http://www.webexhibits.org/pigments/indiv/recipe/redochre.html · 15.5k |
Pigments through the Ages - History - Red Ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red Ochre Red Ochre / red oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Red Ochre: Prehistoric dwellers may have discovered that unlike the dye colors derived from animal and vegetable sources (which we do not have traces anymore), the color that came from iron oxide deposits in the earth would not fade with the changing environment. For this reason, it is estimated ... http://www.webexhibits.org/pigments/indiv/history/redochre.html · 10.5k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Yellow River ladden with mud Yellow pigments (goethite and clay) were used the in the wall paintings in the cave of Lascaux 17 000 years ago. Yellow ochre was used by ancient Egyptians to depict skin tones or for painting backgrounds in their wall paintings. Egyptian hieroglyphs are the only known script using color to ... http://www.webexhibits.org/pigments/intro/yellows2.html · 13.7k |
Pigments through the Ages - Overview - Red Ochre Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Red Ochre Red Ochre / red oak • ur / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Brief description of Red Ochre: Red ochre is composed mailnly of iron oxide, hematite which word comes from Greek, hema meaning blood. Used from prehistory and throughout history, these permanent pigments can be safely mixed with other pigments. Ochres vary widely in transparency; some are quite opaque, while ... http://www.webexhibits.org/pigments/indiv/overview/redochre.html · 14.4k |
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