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Pigments through the Ages - Industrialization (1800) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Industrialization (1800) Industrialization (1800) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques The main innovation in this era was the collapsible tin paint tube, invented in 1841 by American painter John Rand. This revolutionized the color palette and technique of plein-air oil painting by offering a range of pre ... http://www.webexhibits.org/pigments/intro/industrialization.html · 16.0k |
Pigments through the Ages - Modern age (1700) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Modern age (1700) Modern age (1700) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting technique From the early 18th century, “color men” appeared on the scene to provide artists with ready-made paints. Watercolor painting also became a fashionable pastime among the wealthy. In 1766, William Reeves set up a business supplying ... http://www.webexhibits.org/pigments/intro/modern.html · 12.4k |
Pigments through the Ages - Overview - Cobalt blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt blue Cobalt blue / ko • bawlt bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cobalt blue. Brief description of Cobalt blue: It's a cobalt oxide-aluminum oxide. Very costly and extraordinary stable pigment of pure blue colour discovered by Thénard in 1802. It is now the most important of the cobalt pigments. Although smalt, a pigment made from cobalt blue glass ... http://www.webexhibits.org/pigments/indiv/overview/coblue.html · 16.5k |
Pigments through the Ages - Antiquity Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Antiquity Antiquity Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques The Minoans are attributed with inventing the fresco by applying pigments directly to a fresh lime surface. The pigments they used were earth pigments because they were unaffected by alkalis. Egyptian artists covered limestone walls of tombs with a ... http://www.webexhibits.org/pigments/intro/antiquity.html · 16.4k |
Pigments through the Ages - Overview - Ultramarine Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Ultramarine Ultramarine / ul • truh • muh • reen / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Ultramarine. Brief description of Ultramarine: The finest blue known to the ancients, was obtained from the precious stone lapis lazuli (lazurite), a costly mineral. The mineral lazurite is a complex sodium calcium aluminum silicate sulfate. Lapis lazuli has been mined for ... http://www.webexhibits.org/pigments/indiv/overview/ultramarine.html · 16.6k |
Pigments through the Ages - Contemporary age (1900) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Contemporary age (1900) Contemporary age (1900) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques The most important painting invention of the 20th century was acrylic paint, commercially available since the 1950s. At first, water-based acrylic paints were sold as interior house paints. Soon after, artists (the first ... http://www.webexhibits.org/pigments/intro/present.html · 12.9k |
Impressionism: The Innovations and Influence Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Impressionism: The Innovations and Influence Introduction 15th & 16th cent 19th cent 20th & 21st cent Monet's sunrise Impressionism Monet's poppies Seurat's Bathers Grande Jatte & Circus Signac font size: a a a Impressionism: The Innovations and Influence Contemporaries of the first Impressionists used the term “Impressionist” derisively. Why were Impressionists seen as artists who changed accepted concepts on color and light, and why did they challenge later artists to provide even bolder solutions through their work? How, within this framework, did Impressionists develop their own personal manner of depicting their modern world? Impression: Sunrise, Claude Monet, 1874. Impressionism takes its name from this painting, one of the initial works exhibited by artists in Paris who were dubbed by critics, “painters of mere impressions.” Impressionism got ... http://www.webexhibits.org/colorart/page18.html · 17.1k |
Pigments through the Ages - Renaissance and Baroque (1400-1600) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Renaissance and Baroque (1400-1600) Renaissance and Baroque (1400-1600) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Jan Van Eyck (1395-1441); Northern Renaissance oil painting revolution Jan van Eyck, portrait of a man with turban, 1433, National Gallery London. Oil painting was among the main relevant advances in art made during ... http://www.webexhibits.org/pigments/intro/renaissance.html · 20.0k |
Pigments through the Ages - Prehistory Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Prehistory Prehistory Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Paleolithic Art in the Roucadour cave Roucadour cave, Themines, Quercy, Lot, France. A picture of negative hands in the Roucadour cave made of carbon black and red ochre. The cave of Roucadour is a large cavity with easy access, formed by a steep descending main ... http://www.webexhibits.org/pigments/intro/early.html · 14.1k |
Pigments through the Ages - Medieval Age (500-1400) Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Medieval Age (500-1400) Medieval Age (500-1400) Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Introduction Prehistory Antiquity Medieval Age Renaissance & Baroque Modern age Industrialization Contemporary age Painting techniques Egg tempera painting, in which the pigment was mixed with water and egg before application, was well established by the 13th century. The dried protein remaining after the water evaporated bound the pigment to the ... http://www.webexhibits.org/pigments/intro/medieval.html · 13.1k |
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