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Pigments through the Ages - Middle Ages Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Middle Ages Middle Ages Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Attributed to Hendrick Goltzius (1558–1617): Cadmus Slays the Dragon Oil on canvas Christianity Medieval minesongs described green as the color of love, on the other hand it also represented demons and evil serpents. Dragon had a positive connotation in the philosophy of ancient Chinese where it represented divine ... http://www.webexhibits.org/pigments/intro/greens3.html · 15.1k |
Pigments through the Ages - Effects Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Effects Effects Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black W. Kandinsky, Improvisation 7, 1910 Green has a soothing and harmonizing effect due to its closeness to nature and therefore was the preffered color for living rooms and drawing rooms. The expressionistic painter Vassily Kandinsky (1866-1944), however, ignored green in his works. He deemed green a "limiting element" and the ... http://www.webexhibits.org/pigments/intro/greens4.html · 13.5k |
Pigments through the Ages - Intro to the greens Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the greens Intro to the greens Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Cobalt green Copper resinate Emerald green Green earth Malachite Verdigris Viridian Melon-shaped wine ewer, Goryeo dynasty (918–1392), 12th century, Korea, Stoneware with carved and incised decoration of bamboo under celadon glaze Symbolism of the Color Green The word green is closely ... http://www.webexhibits.org/pigments/intro/greens.html · 17.5k |
Pigments through the Ages - Intro to the blues Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the blues Intro to the blues Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Azurite Cerulean Blue Cobalt blue Egyptian blue Indigo Prussian blue Smalt Ultramarine A perfect blue. Yves Klein (1928-1962), Blue Monochrome, 1961, The Sidney and Harriet Janis Collection. Monochrome painting was defined by Yves Klein as an "open window to freedom as the possibility of ... http://www.webexhibits.org/pigments/intro/blues.html · 19.0k |
Pigments through the Ages - Overview - Cobalt green Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt green Cobalt green / ko • bawlt green / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details Painted swatch of Cobalt green. Brief description of Cobalt green: It's a green cobalt-oxide-zinc-oxide, semi-transparent of limited hiding power discovered by Rinmann in 1780. Due to its permanence it can be used in all painting techniques. The poor tinting strength and high cost of cobalt green ... http://www.webexhibits.org/pigments/indiv/overview/cogreen.html · 16.0k |
Pigments through the Ages - Colorants & dyes Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Colorants & dyes Colorants & dyes Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black These four panels depict the traditional process of indigo manufacture in India. Clockwise starting at top left, beating by machinery; "rahut," or Persian wheel; straining the indigo; press and boiling house. Coloring, dyeing and devil’s colors Choosing the color of one’s garments in Middle Ages before the ... http://www.webexhibits.org/pigments/intro/blues3.html · 13.8k |
Pigments through the Ages - Color of power Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Color of power Color of power Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Raphael, Portrait of a Cardinal, 1510-12 The Emperor alone was allowed to wear purple robes during Roman times. Senators had to make do with purple ribbons on their togas. German emperors continued the tradition of wearing purple robes as a symbol of power and they were joined by the cardinals in 1468. Strict ... http://www.webexhibits.org/pigments/intro/reds4.html · 16.4k |
Pigments through the Ages - History - Cobalt blue Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Cobalt blue Cobalt blue / ko • bawlt bloo / Jump to pigment Azurite Bone black Carbon black Carmine Cadmium yellow/red Cerulean Blue Cobalt blue Cobalt green Cobalt violet Cobalt yellow Chrome orange Chrome yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead-tin yellow Lead white Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Overview History of use Making the pigment Technical details History of Cobalt blue: Although smalt, a pigment made from cobalt blue glass has been known at least since the Middle Ages, the cobalt blue established in the nineteenth century was a greatly improved one. The isolation of the blue color of smalt was discovered in the first half of the eighteenth ... http://www.webexhibits.org/pigments/indiv/history/coblue.html · 11.5k |
Pigments through the Ages - Intro to the yellows Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the yellows Intro to the yellows Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Cadmium yellow Chrome yellow Cobalt yellow Indian yellow Lead tin yellow Lemon yellow Naples yellow Orpiment Yellow ochre The title of Turner’s painting “Light and Morning after the Deluge, Moses writing the Book of Genesis” (1843) pointedly describes the role of the color yellow: ... http://www.webexhibits.org/pigments/intro/yellows.html · 18.4k |
Pigments through the Ages - Intro to the reds Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » Intro to the reds Intro to the reds Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a Colors Purple Blue Green Yellow Orange Red White Brown Black Choose: Madder Red lead Red ochre Vermilion Cinnabar is a type of red mercury ore that was mixed with an equal amount of burning sulphur to create an expensive red paint that was highly popular with the Romans, where it was used for cosmetic and decorative purposes. Cinnabar was painted on the ... http://www.webexhibits.org/pigments/intro/reds.html · 17.2k |
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