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Futurists' Forms of Dynamic Movement Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Futurists' Forms of Dynamic Movement Introduction 19th cent & before 20th & 21st cent Impressionists Vuillard Futurism Abstract Expressionism Keita & Shonibare font size: a a a Futurists' Forms of Dynamic Movement Girl Running on a Balcony, Giacomo Balla, 1912. Futurism was a short-lived Italian art movement, launched in 1909, that included artists such as F. T. Marinetti (1876-1944), Giacomo Balla (1871-1958), Carlo Carra (1881-1966), Umberto Boccioni (1882-1916), Luigi Russolo (1885-1947) and Gino Severini (1883-1966). Compare and contrast Boccioni’s and Balla’s lively works to Nicolas Poussin’s static representation of moving figures in Rape of the Sabine Women (1634). Why are the futurists so successful in their depiction of movement? Dynamism of a Soccer Player, Umberto Boccioni, 1913. Boccioni’s Dynamism of a Soccer Player (1913) approaches ... http://www.webexhibits.org/colorart/futurism.html · 8.9k |
Ideas and Questions for Class Discussion and Accreditation Tasks Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Ideas and Questions for Class Discussion and Accreditation Tasks About Credits Citations Teacher's Guide Bibliography Press Overview Getting started Topic A Topic B Topic C Topic D font size: a a a Ideas and Questions for Class Discussion and Accreditation Tasks TOPIC D: PERIPHERAL VISION Key understanding Understand how our sensitivity to detail varies from the center of our vision to the edges, and also depending on the speed of a scene. Therefore, paintings that incorporate blur can seem more realistic. Possible tasks and questions How can artists use peripheral vision to focus on what is important in a painting: say a portrait? What are the important features of a portrait? (Notice the ‘plural’.) How have contemporary artists questioned our logical understanding of painting as a stable object? How have artists used our peripheral vision in ... http://www.webexhibits.org/colorart/teaching5.html · 7.9k |
Synthetic poems background : Poetry through the Ages Poetry through the ages Webexhibits A page from the "Poetry through the Ages" exhibit... Home Node view Background Famous forms Classic forms Obscure forms 21st century forms Visual poetry Ads & mass media Performance poetry Song lyrics Node poems Synthetic Poems Books Museum shop About Related pages: At a glance Background Examples Make your own font size: a a a Previous Next F.T. Marinetti launched the magazine Poesia, and the Futurist movement, in 1905. The plaque in Milan commemorates the magazine’s founding. Liberating the word. At the turn of the 20th Century, technology quickly advanced across Europe and the United States. As science and engineering displayed life-altering potential, ever-faster automobiles sped people over vast distances, new tools for mass production eased the burdens of a factory worker, and growing cities filled with the buzz of machinations. The hope? That advances in technology would allow humans to enter lives of leisure. Artists were also invested in the potential of technology, and the Futurists were the most ... http://www.webexhibits.org/poetry/explore_21_synthetic_background.html · 31.6k |
Daylight Saving Time - Books Credits for the "About Daylight Saving Time" exhibit http://www.webexhibits.org/daylightsaving/citations.html · 7.6k |
Investigating Bellini's Feast of the Gods How to cite this exhibit We hope that you’ve found the information in this exhibit useful in your research. Below, we’ve provided examples of how to properly cite this exhibit in the APA, Chicago, and MLA styles. APA Style To cite the entire exhibit, you may say: Douma, M., curator. (2002). Investigating Bellini's Feast of the Gods. Retrieved month day, year, from http://www.webexhibits.org/feast. To cite a specific section or page from the exhibit, you may say: Douma, M., curator. (2002). Title of section. In Investigating Bellini's Feast of the Gods. Retrieved month day, year, from URL. Example: Douma, M., curator. (2002). Overview of painting analysis. In Investigating Bellini's Feast of the Gods. Retrieved January 1, 2009, from http://www.webexhibits.org/feast/analysis/. Chicago Style To cite the entire exhibit, you may say: Douma, Michael, curator. "Investigating Bellini's Feast of the Gods." (2002). http://www.webexhibits.org/feast (accessed month day, year). To cite a specific section or page from the exhibit, you may say: Douma, Michael, curator. "Title of ... http://www.webexhibits.org/feast/citations.html · 11.3k |
Theo van Gogh to Vincent van Gogh : 21 October 1889 » Home < Previous Next > Letter from Theo van Gogh to Vincent van Gogh Saint-Rémy, 21 October 1889 Relevant paintings: "Irises," Vincent van Gogh [Enlarge] "Tarascon Diligence," Vincent van Gogh [Enlarge] "Corner in the Garden of Saint-Paul Hospital," Vincent van Gogh [Enlarge] "Starry Night," Vincent van Gogh [Enlarge] Letter T19 Paris, 21 October 1889 My dear Vincent, Enclosed please find 150 francs for Mr. Peyron and for your travelling expenses to Arles. In my letters to Mr. Peyron I said that he should tell me if there are any supplementary expenses, but he never said a word about it. So be kind enough to ask him to let me know every time he acknowledges receipt of my monthly letter if there is anything owing him; in this way the bill will not mount up. 1 I hope you are still in good health, and that you are having luck with your work. I have had quite a number of people calling on me to see your work. Israël's son, who is staying in Paris for some time; Veth, a Dutchman who paints portraits, and who writes in the Nieuve Gids, 2 that periodical you may have ... http://www.webexhibits.org/vangogh/letter/20/T19.htm · 16.5k |
Art & Optics This exhibit is provided as a public service of Institute for Dynamic Educational Advancement (IDEA) and WebExhibits to help improve cultural literacy by interesting the public in links between art with science. Credits: Initial design concept and color scheme by PixelPress LLC. Organization, production and interactivity by Michael Douma. Articles written by the identified authors. Where no author is identified, the text is credited to Ren Weschler, Erika Kawalek or the WebExhibits team. Sponsored by: Institute for Dynamic Educational Advancement (IDEA) and WebExhibits. Funding, in part, from the U.S. Department of Education, Office of Postsecondary Education, Fund for the Improvement of Postsecondary Education (FIPSE) grant P116B011454. Many papers contained within this web site originated from a conference organized in December 2001 by Ren Weschler and the New York Institute for the Humanities, with funding assistance from the Alfred P. Sloan Foundation and the Peter Norton Family Foundation. Technical notes: This site uses Macromedia Flash for interactive figures. If you ... http://www.webexhibits.org/hockneyoptics/about.html · 3.6k |
References : Poetry through the Ages Poetry through the ages Webexhibits A page from the "Poetry through the Ages" exhibit... Home Node view Background Famous forms Classic forms Obscure forms 21st century forms Books Museum shop About Introduction Credits References Citations Teacher’s guide Media relations SpicyNodes font size: a a a Previous Next Materials and research for this Poetry through the Ages exhibit were sourced from a wide range of fascinating books, web resources, and interviews. To delve deeper into the realm of poetry through the ages, we recommend the following resources: On Poetry through the Ages Barnstone, Aliki and Willis (eds.), A Book of Women Poetry from Antiquity to Now, 1992: Schocken Books: Perhaps the greatest single anthology of women poets, the Barnstones work through four millennia to present voices from all cultures, from Sumeria’s Enheduanna (the first known written poet) to contemporary greats such as Sylvia Plath, Anne Sexton, Mary Oliver, and Joy Harjo. Gayley, Charles Mills, Methods and Materials of Literary Criticism: Lyric, Epic and Allied Forms of ... http://www.webexhibits.org/poetry/about_bibliography.html · 18.7k |
How do I cite this site? - Webexhibits webexihibits.org http://www.webexhibits.org/about/citations.html · 9.7k |
Pointillism: Seurat's Grande Jatte and Circus Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Pointillism: Seurat's Grande Jatte and Circus Introduction 15th & 16th cent 19th cent 20th & 21st cent Monet's sunrise Impressionism Monet's poppies Seurat's Bathers Grande Jatte & Circus Signac font size: a a a Pointillism: Seurat's Grande Jatte and Circus What was different in the way this group of younger painters reacted to the color theories of Chevreul and other writers? How were they able to profit from Impressionist methods while reacting against some of their practices? Sunday Afternoon on the Island of La Grande Jatte (Un dimanche après-midi à l’Ile de la Grande Jatte), Georges Seurat, 1884-1886. Let us look at the painting Un Dimanche a la Grande Jatte. The painting represents a Sunday on the island of the Grande Jatte. The work is often referred to as his “Manifesto Painting,” and is even noted as such by contemporary critics. It was large ... http://www.webexhibits.org/colorart/jatte.html · 13.3k |
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