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Photo and Image Credits Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Photo and Image Credits About Credits Citations Teacher's Guide Bibliography Press font size: a a a Photo and Image Credits Berlinghiero, Andre. Madonna and Child. The Metropolitan Museum of Art, New York. Da Vinci, Leonardo. Some from John Shearman. Da Vinci, Leonardo. Benois Madonna. Hermatage, Leningrad. Davidhazy, Andrew. Newton Prism photo. Delacroix, Eugene. Delecroix’s Palette. National Museum Eugene Delacroix, France. Delacroix, Eugene. Women of Algiers in their Apartment. Museum du Louvre, Paris. Derain, Andre. Boats in the Port of Collioure. Mr and Mrs Merzbacher, the Merzbacher Foundation and Carafe Investment Company. Derain, Andre. Mountains at Collioure. National Gallery of Art, Washington, John Hay Whitney Collection. Hering’s opponent colors diagram. From: Ewald Hering (1920). Grundzuumge der Lehre vom Lichtsinn. Berlin: Verlag von ... http://www.webexhibits.org/colorart/credits.html · 8.0k |
Image Resources | Causes of Color font size: a a a Related pages: About Citations Table of contents Credits References Image Resources A page from the "Causes of Color" exhibit... Image credits MADE: Introduction: Electric light found at Freefoto>, Ref Number: 11-12-52. Fireworks found at ERMA New Zealand>, copyright © ERMA New Zealand 2007. All Rights Reserved. Molten lava found at NASA’s astronomy picture of the day archives, NASA Astronomy Picture of the Day Archives>, image for 2007 September 18, copyright Patrick Taschler. Molten lava in Hawaii, found at Hawaiian Cruise>, copyright © Hawaiian Cruise. Aurora found at Borealis 2000> Copyright Dirk Obudzinski 2000 – 2004. Sun found at NASA’s Goddard Space Flight Center (www.nasa.gov/centers/goddard/images/content/93612main_sun1.jpg)>. Seeing heat: Tungurahua Volcano: Geology News - Earth Science Current Events> 1999, Image by USGS. Black body radiation spectra: Oslo University> The Sun: NinePlanets>. Blacksmith photo: Windsor Star. The Blacksmith is Pio Colini, at Steel Mobilia Wrought Iron Furniture and Accessories, a Walkerville business in the ... http://www.webexhibits.org/causesofcolor/imageresources.html · 44.5k |
Annotated bibliography Overview This exhibit draws from many sources, many of which are out of print or are hard to obtain. For an excellent overview of art conservation (not focused on the Feast of the Gods), we recommend the following: Seeing Through Paintings: Physical Examination in Art Historical Studies, by Andrea Kirsh, Rustin S. Levenson (Published June 2000, Yale Univ Press, ISBN: 0300080468, Hardcover - 312 pages; Dimensions (in inches): 1.13 x 10.62 x 8.25; costs around $50 USD. See more info at Amazon.com Conservation of Paintings, by David Bomford, from National Gallery Pocket Guides Series (Published February 1998, Yale Univ Press; ISBN: 0300073186; 80 pages; Dimensions (in inches): 0.28 x 8.66 x 4.80), costs around $10 USD. See more info at Amazon.com Primary references The primary source for this study is Bull and Plesters (1990), which reports and interprets the scientific examination in depth. For general accounts of X-radiographs and infrared reflectograms, see the video Physics and Fine Art (1993). (Detailed discussion of the application of these scientific techniques to ... http://www.webexhibits.org/feast/bibliography.html · 19.6k |
Pigments through the Ages - References Home Introduction Choose a pigment Browse colors Time periods Make paintings Look closer About www.webexhibits.org/pigments » References References Jump to pigment Azurite Bone black Cadmium yellow/red Carbon black Carmine Cerulean Blue Chrome orange Chrome yellow Cobalt blue Cobalt green Cobalt violet Cobalt yellow Copper resinate Egyptian blue Emerald green Green earth Indian yellow Indigo Lead white Lead-tin yellow Lemon yellow Lime white Madder Malachite Naples yellow Orpiment Prussian blue Realgar Red lead Red ochre Smalt Titanium white Ultramarine Umber Van Dyke brown Verdigris Vermilion Viridian Yellow ochre Zinc white font size: a a a About Citations Credits References "Girl Running with Wet Canvas" (detail) Norman Rockwell, 1930 Sources Sources for most material on this site comes from established art historical and scientific publications, as cited throughout this site. Primary sources include the multivolume series from the National Gallery of Art, "Artists’ Pigments : A Handbook of Their History and ... http://www.webexhibits.org/pigments/intro/references.html · 13.3k |
Art & Optics About the speakers (their original sessions noted in parentheses) Svetlana Alpers (V) Svetlana Alpers is Professor Emerita of the History of Art, University of California, Berkeley and Visiting Research Professor, Department of Fine Arts, New York University. Her books include The Art of Describing: Dutch Art in the Seventeeth Century; Rembrandt's Enterprise: The Studio and the Market; and The Making of Rubens. William Bailey (IV) William Bailey, Professor Emeritus of Painting at Yale is a renowned realist artist, specializing in still life compositions, with works in the permanent collections of museums ranging from the Museum of Modern Art to the Boston Museum of Fine Arts, the Art Institute of Chicago, and the Hirshhorn in Washington, D.C.. Leonard Barkan (V) Leonard Barkan, former director of the New York Institute for the Humanities, is currently the a Professor of Comparative Literature at Princeton university. His many books include The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism and Unearthing the Past, about the rediscovery of ancient sculpture ... http://www.webexhibits.org/hockneyoptics/conference2001/bios.html · 16.4k |
Bibliography and Suggested Reading Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Bibliography and Suggested Reading About Credits Citations Teacher's Guide Bibliography Press font size: a a a Bibliography and Suggested Reading The study of art and the brain is a new field, with limited resources in print. Below are some of the most significant references for learning more, which are generally available. For a detailed listing of sources and references, see credits. Vision and Art: The Biology of Seeing by Margaret S. Livingstone is written for students, artists and designers, with lucid prose and easy-to-understand charts and diagrams. It nicely explains how the eye and brain translate different wavelengths of light into the colors and forms of the world around us, from the mysterious allure of the Mona Lisa to the amazing atmospheric effects of the Impressionists, as well as aspects of advertising and television. This exhibit is drawn ... http://www.webexhibits.org/colorart/bibliography.html · 12.4k |
Leonardo da Vinci’s Chiaroscuro Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Leonardo da Vinci’s Chiaroscuro Introduction 15th & 16th cent 19th cent 20th & 21st cent Michelangelo da Vinci’s chiaroscuro Lost shadows font size: a a a Leonardo da Vinci’s Chiaroscuro Even in an era of boundless scientific discovery and technological invention, and of sublime artistic and humanistic achievement, Leonardo da Vinci (1452-1519) stands as a supreme icon in Western consciousness — the very embodiment of the universal Renaissance genius. Self Portrait, c. 1512. Leonardo da Vinci was the first artist to use value consistently across colors, achieving tonal unity in which a figure presents a single, swelling, homogeneously generated volume in contrast to the inevitably fragmented effects of color-modeling. Light, color and form are now related in a way that approximates, and describes, their scientific and naturalistic behavior. Benois Madonna ... http://www.webexhibits.org/colorart/vinci.html · 10.8k |
Credits: Key Sources & Contributors Webexhibits.org Chapters: Home Light, color and vision Color interactions: Simultaneous contrast Luminance and equiluminance Peripheral vision Museum shop About this exhibit www.webexhibits.org/colorart » Credits: Key Sources & Contributors About Credits Citations Teacher's Guide Bibliography Press font size: a a a Credits: Key Sources & Contributors Key Sources Marge Livingstone is Professor of Neurobiology at Harvard Medical School. She studies vision using anatomy, physiology, and human perception. Livingstone has a special interest in how the eye and brain use color and luminance information. She is also involved in studies of dyslexia and visual processing. Her research and book provide the foundation for many of the insights presented in this exhibit on luminance and peripheral vision. Semir Zeki is professor of Neurobiology at UCL and co-head of the Wellcome Department of Cognitive Neurology. A Fellow of the Royal Society and member of the American Philosophical Society, he specializes in studying the visual brain. Recently, he has extended his work ... http://www.webexhibits.org/colorart/about2.html · 13.0k |
About this exhibit Overview Investigating Bellini’s Feast of the Gods is one of several exhibits in the WebExhibits online museum, all of which promote discovery through multidisciplinary approaches that support all learning styles. WebExhibits is a public service of the Institute for Dynamic Educational Advancement (IDEA). Are you a student? Writing a paper or doing research? Here’s how to cite this exhibit in your paper. Also see the bibliography if you need more sources. ¿Se Habla Español? El festin de los dioses y el Camerino d'Alabastro > Links & copies We invite you to link to any page within this exhibit. You can also copy or display this exhibit for noncommercial purposes, if you clearly credit WebExhibits. Legal details. Join the community Help grow this exhibit! WebExhibits wants to publish your insights into Bellini’s Feast of the Gods. Share your expertise, or send us your corrections, suggestions and feedback via email or our feedback form. Stay informed about new additions to WebExhibits by signing up for our free newsletter. Donate Thanks to individual donations and ... http://www.webexhibits.org/feast/about.html · 17.6k |
Art and Optics : Philip Pearlstein: Page 1 « Previous Next » Jump to author New theories regarding opticality Opinions The hypothesis James Elkins Charles M. Falco and David Graves Susan Grundy Walter Liedtke Philip Pearlstein Sidney Perkowitz Philip Steadman David G. Stork Christopher W. Tyler David Hockney In the press Bibliography The series below is one of my early over-life-sized portrait paintings, being painted from life in 1969. The painting is six feet high. The models were Linda Nochlin and her husband Richard Pommer, both art-historians. My aim was only to paint as exact a likeness in that situation as I could, without wanting to interpret them psychologically. They sat there quietly for many hours over the course of a week in a very hot, mosquito-ridden cabin in Skowhegan, Maine, while I painted it. I paint people and landscapes from direct observation. I do not use mechanical or optical devices of any kind to make my drawings or paintings. However, I did one painting that is an exception to that self -imposed rule. In 1993 I was persuaded by art historian Irving Lavin, who in the early ... http://www.webexhibits.org/hockneyoptics/post/pearlstein.html · 17.2k |
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